Author: Matt Byrd (Page 29 of 34)

      If You Need Me, I’ll Be in My Trailer

      August 14, 2012 /

      With Gamescom starting this week, the world of video games is starting to get hit with the usual tech show barrage of trailers. While I prefer good old fashioned gameplay demonstrations and hands-on previews, trailers offer a high level of entertainment value, if nothing else. However, if you pay close enough attention, you can sometimes cut past all of the stylized cuts and unnecessarily enhanced graphics to actually tell something about the game underneath.

      With that in mind, here are five of the biggest trailers from the week, and what, if anything, we can take away about the games they represent from them.

      Remember Me

      Analysis: While I’d like to have a beer with the designers of “Remember Me,” as they’ve clearly watched “Blade Runner” and played “Deus Ex” as many time as I have, I just don’t trust Capcom as much as I used to. This is a slick debut for “Remember Me,” and cyber punk noir games will always be welcome, but it does have the misfortune of going up against the similarly themed, and soon to be released, “Dishonored.” And right now, “Dishonored” is looking better. Unless Capcom has something more in mind than the “me too” looking third person action on display in pieces here, I’m just not that excited right now. It also doesn’t help it shares a name with a Robert Pattinson movie.

      Star Wars 1313

      Analysis: Ok, let’s assume that Lucas Arts is obliged to churn out a new “Star Wars” game every year until the end of time. Let’s also assume that “Battlefront 3” isn’t going to happen (and believe me, it’s not). If that is the case, then I’m at least happy they are considering options in the “Star Wars” universe outside of the usual suspects of the series. However, is this a game that really needs a teaser like this? Is anyone just so jacked up for the next “Star Wars” game that a one minute and thirty-four second trailer, with about 4 seconds of gameplay in it is going to make them rush to their computer and set the hype pyre ablaze? I doubt it. At this point, until Lucas Arts has something more substantial to show, the vague chance that this game might not suck, and actually be original is the best thing they have going for them. They don’t need to ruin that with more of these generic trailers.

      Crysis 3 – Multiplayer Hunter Mode

      Analysis: I had zero interest in “Crysis 3” before this trailer, and now I want nothing else. This looks highly reminiscent of “Splinter Cell: Chaos Theory’s” Spy vs Merc gameplay, in that it combines two different styles of play into a unified concept. The multiplayer in that game is highly underrated and virtually unduplicated to this day, and it’s about time someone re-explored it. Also, this looks like the “Predator” game we were never going to get, which makes me more excited than I feel I can freely admit. If it can even come close to combining those two things together into a cohesive, balanced multiplayer experience, I might have to allow myself to actually use the word ‘epic.’

      Tekken Tag Tournament 2

      Analysis: First of all, “Can’t you tell where I must unleash this awesome power” is now going to be exactly where I tell every cab driver I’d like to go. Second, how long was he sitting in the back eerily glowing before the driver asked him where he wanted to go? Was the driver hoping he’d just disappear the next time he looked? Finally, as far as debut trailers go, if you’re going to avoid showing gameplay, this is about the best way to go. “Tekken” was always at its best when it was just having fun, and this is a fun trailer. If Namco doesn’t try to screw with the formula too much, and sticks with that loose and easy motif, I’d say the time is right for the next King of the Iron Fist Tag Tournament.

      Assassin’s Creed III Naval Warfare Trailer

      Analysis: As I mentioned, it’s going to take a concentrated effort for the next installment in the “Assassin’s Creed” series to suck. Ubisoft has proven they’re not scared to explore new ways to expand and improve “Assassin’s Creed,” and while the results have been mixed in some cases, I see no harm this naval gameplay could cause the franchise. Plus naval combat in this time period is rarely explored, and so far this game looks to actually be doing the idea right instead of treating the concept as an afterthought. As for the trailer itself, it features that perfect mix of style and intrigue that you expect from the series at this point, and keeps the well-oiled hype train this game is running well on track.

      News, Video

      A Serious Discussion About Comedy in Video Games

      August 10, 2012 /

      I was lucky enough to grow up a gamer during the NES era. I say lucky not just because, as a child, the NES was this mythical monolith of unlimited entertainment potential, but because I’ve been lucky to see video games evolve from the big bang moment that was Nintendo’s first console. In that time, what’s impressed me most evolution-wise isn’t the technological advancements the industry has enjoyed, but the artistic ones.

      Writing quality would probably be the biggest improvement. Recently, I started playing “The Witcher 2,” and I’m finding it to be a watershed moment in video game storytelling. Sure, some of the dialog is groan-worthy, but the overall tale, and the brilliant way in which the game weaves it, is simply astounding. While it may be a beacon of writing quality in games, it’s far from the only port in the harbor. Games like “Braid,” “Bioshock,” and “Heavy Rain,” to name a few, have all gone far and beyond to prove that at their best, the stories of video games can bring out all of the same emotions as the stories in books, films and theater.

      Except for humor.

      Of course, I’ve laughed while playing games before, but it’s rarely been because of a specific joke made. Instead, by their general nature, video games are just light-hearted entertainment sources. Hell, the mascot of the entire industry might just be an underdeveloped Italian plumber with a hatred of reptiles, incredible jumping abilities, and a hard-on for elitist blondes. So for an artform that isn’t supposed to take itself too serious by its very nature, why is good, pure comedy so hard to come by?

      Let me backtrack a little bit from that statement. I know that funny video games exist. I also know that comedy is perhaps the most subjective form of entertainment there is. What makes one person’s sides split causes another’s lips to droop. But still, that doesn’t mean that there aren’t works of comedy in other mediums that are generally considered to be undisputed comedy classics. Like “Caddyshack” or “Ghostbusters” or “This is Spinal Tap.” What is gaming’s equivalent? Well, type “funniest video games of all time into Google” and the consensus answer would seem to be “Conker’s Bad Fur Day.” I’ve covered Conker before, but just as a refresher, “Conker’s Bad Fur Day” is simply the raunchiest, most parody-filled, brute force comedy video game ever made.

      And it’s not that funny. Well, I mean it is, but at best it’s a decent episode of “South Park,” without any of the clever context. “Conker’s Bad Fur Day” was a machine gun of jokes that figured if it fired enough rounds, one of them would hit just about everyone that played it. Even worse, it aimed that gun square at the stereotype that gamers are only 14 year old virgins, and made its name from it. And yet, to this day when people reference it, they use the words “Adult Humor.”

      The King of Video Game Comedy?

      Continue reading »

      Editorial

      What is “Infinite” Minus Two?

      August 8, 2012 /

      News is slowly pouring in today that two of the biggest developers on “Bioshock: Infinite” are leaving Irrational Games.

      Director of product development Tim Gerritsen and art director (and designer of the series’ iconic Big Daddies) Nate Wells have both updated their LinkedIn profiles to indicate that their employment with Irrational Games is now done. While no further official announcement has been made, Nate Wells also made a Twitter post earlier that read “New Job…Details to follow.” That tweet has since been removed. For those who don’t remember, “Bioshock: Infinite” was also delayed earlier this year until 2013, in order to give it “specific tweaks and improvements” that would make the game “into something even more extraordinary,” according to lead designer and Irrational founding member Ken Levine.

      Now some sites are already panicking about this pretty hard. I’m not quite there yet myself. For one thing, it’s a sad but true fact that developers at all levels will often leave a studio before a project is completed. Moves of this nature traditionally have no bearing on the quality of the final product on any consistent level.

      No the real news here is that there is no real news. Ever since the delay of “Bioshock: Infinite” was announced, updates on on the game have gone ice cold. This is okay if you’re a title like “Grand Theft Auto V” (another Take-Two production). It’s “GTA”, and everyone knows there’s going to be a lot of secrecy involved leading up to the release. But “Bioshock: Infinite” didn’t even bother to poke its head in at E3 this year. Plus, even though “Bioshock” was possibly the game of the decade, the fact that the only news on its true successor in the last year has been a delay and the departure of your manager of content creators (Gerritsen) and a 13-year veteran of your studio (Wells), makes even the most level headed gamer start to wonder what’s really going on at Irrational.

      Ultimately, “Bioshock: Infinite” will still sell millions, and I don’t believe that its overall quality will have anything to do with these departures. However, I’m curious how Irrational addresses this news. Do they remain silent and let speculation rule, or do they make a move as bold and innovative as “Bioshock” itself and actually shed some light on this situation, beyond the typical PR release?

      Simply put, if there’s no fire to report, then why fan the flames?

      News

      Bethesda and Dishonored Give Me an Excuse to Run This Lena Headey Picture

      August 3, 2012 /

      You know, as much as I love Bethesda, they don’t exactly have an astounding history of success with original titles.

      If you look at their history as a developer, you’ll of course notice their standout titles (“Fallout 3” and the “Elder Scrolls” series) are both of unquestionably great caliber, but only one of which is a true independent property. After that, you’ll see that Bethesda mostly spends their time as a publisher of titles that include “Brink,” “Call of Cthulu: Dark Corners of the Earth,” “Rouge Warrior,” and “Rage”  (which John Carmack recently apologized for). All of those titles share one thing in common. None of them were really, truly great, but they all featured at least one aspect or element that made them stand out.

      See that’s the real magic behind Bethesda. Even when everything doesn’t come together as it should, they always manage to attach themselves to titles that never really feel like they are phoning it in. Hell, they even published a “Pirates of the Caribbean” game that wasn’t a complete hack job, and Disney and Johnny Depp have been phoning that franchise in since “Pirates of the Caribbean 2.”

      It’s such a consistent enough history of exceptional effort that it makes gamers everywhere stand up and take notice when the Maryland based developer starts a new project. Apparently, gamers aren’t the only ones taking notice as some A-list Hollywood celebrities have jumped at the chance to sign on for Bethesda’s next title “Dishonored.” It was recently announced that Susan Sarandon (“Thelma and Louise”, “Rocky Horror Picture Show”), Chloe Grace Moretz (“500 Days of Summer”, “Kick-Ass”), and Carrie Fisher (Princess Leia…duh), will join previously announced actors Brad Dourif (“Deadwood”, “Childs Play”), Michael Madsen (“Reservoir Dogs”, “Kill Bill Vol. 2”), Lena Heady (“300”, “Game of Thrones”), and  “Mad Men’s” John Slattery as voice actors for the new title.

      That’s clearly one hell of a cast assembled so far. What’s got them so excited? Well “Dishonored” is described as a “Steampunk, stealth first person role playing video game” that follows an Empress’s bodyguard, turned assassin who becomes framed for the Empress’s murder and must prove his innocence and find the real killers. “Dishonored” is supposed to support a revolutionary stealth system that boasts that no enemy must be killed, and a non-lethal solution is available for any situation. Along with that, the games steampunk open world promises to offer the traditional Bethesda quality open world, where they claim that every NPC is alive and active even if they are not interacting with you.

      If you’re anything like me, that description got all kinds of hairs on you standing up. Like I said, when Bethesda gets behind something, they don’t do it half-ass. Between that description, that cast, and the development team attached to “Dishonored” (Arkane Studios, who previously worked on the incredible “Dark Messiah of Might and Magic” and “Bioshock 2”, and designer Viktor Antonov who helped design “Half-Life 2’s” City 17), this is starting to look more and more like a sleeper Game of The Year contender in the making, that’s causing all of the stars to align.

      News

      2K Sports to the Rest of the Industry: “If You’re Having Executive Producer Problems, I feel Bad for you Son…”

      July 30, 2012 /

      Apparently rap mogul Jay-Z just can’t resist the hard knock life, as he looks to start a new endeavor to add to his 99 problems, and feed his empire state of mind.

      I’ll stop now.

      But there’s no stopping Jay-Z these days, as evidenced by his recent partnership with 2K Games on their next basketball game,” NBA 2K13.” According to reports, Jay-Z will work on the game in an executive producer capacity. What this means, exactly, no one knows, as executive producer is about the vaguest job title there is in the entertainment industry. In this case, though, it’s probably safe to assume that he won’t be handling the programming duties, or reshaping the foundations of the popular series with exciting, and fresh gameplay concepts and artistic directions. Of course, considering that the last two NBA 2K games make a strong case for being some of the greatest sports or basketball titles of all time, the promotional and soundtrack work Jay-Z will more likely be involved in is probably going to be enough in the way of contributions to insure that this celebrity involvement doesn’t disenfranchise any of the series regular fans.

      Of course, a Jay-Z hidden character “NBA Jam” style wouldn’t be out of the question either. I’m also not ruling out the possibility that the Brooklyn Nets (of which Jay-Z is part owner) are probably going to be slightly better than necessary in “NBA 2K13.” Like Michael Vick in “Madden 2004,” or Brock Lesnar in “Smackdown: Here Comes the Pain,” unnecessarily good.

      Still though, I wish that just once we could get a celebrity tie in to video games that actually generates excitement. Like Alan Moore working on “Fallout 4,” or Quentin Tarantino producing “GTA: V.”

      Or, better yet, Bill Murray.

       

      News

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