As much as I love “GTA V” (which, if you were wondering, is more than waking up to all the presents you wanted for the year on a white Christmas morning), trying to find video game news not related to Rockstar’s magnum opus is becoming quite the epic adventure itself.

Since the ghosts of video game present are a little tied up at the moment building their shooting skills (got to hit up Ammunation), to find something non “GTA” related to talk about, we’ll have to look towards the future.

It’s been something of an odd year for video games as even though it has seen some of the most high quality games in recent memory, they all seem to have been released early on, rather than continuing the traditional holiday season release rush. As such, while we may have a pretty good idea how the game of the year talks will shape up, here are some of the biggest games still left to get excited about, once your “GTA” addiction has subsided.

Watch Dogs

What was one of the most touted games on the video game horizon has slipped a little bit in hype due to some questionable current gen graphics shown in a recent gameplay video, and something of a media silence since the last E3 showing, but still remains the biggest name left in 2013.

It’s easy to say that its got an even tougher path to glory in a post “GTA V” world, but while it may be an open world game, it’s unique hacker mechanics and the possibilities they provide when it comes to interacting with the world in previously unexplored ways, makes “Watch Dogs” more of an original superhero style game in the vein of “Crackdown” or “Infamous.”

Obviously when you’re mentioned in the company of such titles  you’ve got some raised expectations to try to clear, but so far “Watch Dogs” looks primed to provide a unique and memorable experience at the least.

Batman: Arkham Origins

While “Origins” initially drew concern from fans who were unsure if the “Arkham” name could maintain its level of excellence away from developer Rocksteady, the more and more we discover about this game, the easier it is to get excited for it.

Drawing more design cues from the “Mega Man” series than any previous “Arkham” installments, “Origins” will see the dark knight take on some of the highest profile members of his rouge gallery on his never ending quest to save Gotham City. Though it serves as a prequel to the high profile original titles, “Origins” looks to  take Batman games in an interesting new direction that mixes old school gaming ideas with previous series features, and some fresh ideas (including an intriguing multiplayer mode), to form a best of all worlds experience.

Like “Watch Dogs,” this ones has some lofty goals  to live up to, but appears to be coming together well.

Beyond Two Souls

Continuing the trend of wild card games that could really go either way on the quality scale, this spiritual successor to “Heavy Rain” is already causing some seriously divided discussion.

“Beyond Two Souls” continues to look like a different game every time we see it and, even as more and more of the game’s basic plot becomes clear, remains shrouded in mystery regarding what the overall product will look like and play like. We do know that fans of “Heavy Rain” will be happy to hear that it retains the interactive film gameplay of that title, while detractors will no doubt roll their eyes at the same news.

Quantic Dream has proven that they know how to create a game that differentiates itself from every other on the market, and can get people talking, with their distinctive style of game design. While it would be easy then to say that you can use your reaction to their previous games as a gauge for how excited to be towards this one, given the ambitious and exciting nature of “Beyond,” it may well be worth a trip outside of your comfort zone.

South Park: The Stick of Truth

As someone who suffered through the dreadful “South Park” games of the PS1 and N64 days, its hard to imagine that an adaption of the influential animated series could actually prove to be something worth getting excited for.

Yet that is exactly the situation I find myself in. Surviving the closure of THQ, “Stick of Truth” has continued to look better and better with every showing. In marrying the series with basic RPG elements, developer Obsidian Entertainment has found the perfect outlet to showcase the deep cast of memorable characters, and ever expanding list of scenarios and worlds the show has crafted during its long run. Their execution of the source material’s style and humor has been dead on so far and, given the developer’s track record with RPG games, there’s more and more reason to get excited for the possibilities.

The only question now is if the game will actually honor its 2013 release date. If so, don’t be surprised if this ends up being a dark horse on some game of the year lists.

If you haven’t been following it, “Among the Sleep” is a unique upcoming indie project that looks to take horror away from its recent “action game with some jump moments” state, and back to the realm of true terror by placing you in the shoes of the most unlikely horror hero of all.

An infant.

That’s right. In “Among the Sleep” you play through the eyes of a baby as he is awoken during a dark and stormy night and sets off in search of his parents, with nothing but his teddy bear as company. Without giving too much away, it turns out this is no normal night, and in fact some serious terror is lurking all throughout the house.

It’s a unique title to be sure, and to help people get a grasp exactly how terrifying it can be, developer Krillbite Studio has uploaded a demo of the game to the project’s Kickstarter page, for Mac, Linux, and PC users.

So how is it? Pants wettingly terrifying, since you ask.

Even in its clearly rough early state, the game does a great job of making you feel truly helpless, and of showing the world through a baby’s eyes (for example, writing is just scribble and jumbled letters). Scares can come in the form of normal things like lightning strikes, bizarre noises, and darkened hallways, but as the demo progresses, you’ll start seeing some truly freaky stuff that would horrify anyone.

There’s almost sure to be a moment during this demo when you’ll find yourself ducking under a table out of fright  until everything is okay, just like a baby would. It’s an effect accomplished through some truly incredible atmospheric design, and while it remains to be seen if “Among the Sleep” has the gameplay legs to be worth an entire adventure, the demo is a must play for anyone with the courage, and is sure to put “Among the Sleep” on a lot more gamer’s radars.

I used to love getting a video game magazine in the mail, whether it be Nintendo Power, Expert Gamer, Electronic Gaming Monthly, or Game Informer. It was a once a month mind blow where I got pages of information, galleries of photos, and sweet, sweet reviews regarding my favorite pastime in every issue.

That was once a month. Once a year though, there was an event that was like getting a year’s worth of magazines at one time. They called it E3, and to any gamer who grew up in the 90’s, it was this mythical ceremony beyond comprehension.

However, it’s no exaggeration to say that over the last 10 years or so, the event has been slowly dying. What was a mark your calendar and anticipate sleepless nights in anticipation extravaganza, now resembles more of a begrudging necessity where companies do their best to budget as much flash as possible to blind people to the fact they are mostly seeing the exact titles that they’ve known would be there for months due to leaks, or worse retreads of previously released information to fill time.

Recently the declining event has suffered another traumatic blow when one of the “big three”, Nintendo, announced they would not be putting on a presentation this year, and will resign themselves to a booth. 2K has also stated they will be pulling from the show entirely, while Sony and Microsoft are hosting separate events for their new console reveals, which previously could have only occurred at E3.

The writing is on the wall for the event, and has been for some time. Instead of just bleeding the spectacle though, it is time for E3 to die.

Understand that E3, much like the gaming magazine, was only as big as it once was because video games were not. There was no video game channel, there was no segment on the news concerning them (with few exceptions), and there certainly was no internet in the way there is today. Having a singular large event like E3 that didn’t just acknowledge video games, but glorified them, was not only justified in a different time, it was required.

That of course isn’t the case anymore. Instead E3 is an unfortunate lingering relic of a different time that is being unnecessarily worshiped due to the misguided value placed in nostalgia, and is dragging down the potential growth of the entire industry. The larger companies don’t need it, yet they still feel obligated to put on a big spectacle, and completely drown out the noise that smaller companies could use the time for in the process. Meanwhile the growing numbers of embarrassing presentations have their ridicule magnified much larger than necessary by the inherit spectacle E3 still carries, and the rare previously unannounced great game that can emerge (say like “Watch Dogs”) then spends the next few weeks making rounds on every facet of the internet watering down the initial moment until it might as well have not existed at all.

It’s time for gaming companies to take the cue from Nintendo and 2K and move on. Whether that means companies hold their own shows, or provide more services like Nintendo Direct that allow them a forum for their own exclusive major announcements, it doesn’t matter so long as they are no longer dependent on a few days in Los Angeles to define the course of their next year.

It was as long ago as 2008 when representatives from EA, Ubisoft, and others, were quoted lamenting that E3 wasn’t the profitable gala spectacle it once was, and were contemplating ways to bring it back to prominence. The truth is that if the day ever did exist when that resurgence was still possible, it has now passed. If the gaming industry is still truly fiscally dependent on E3, then it has only itself to blame for not making use of the considerable resources available to forge a new path to greener pastures.

Nintendo has been criticized for living in the past, and being behind the times, but in this move they are truly ahead of the game. It’s hard to say goodbye to something that still manages to entertain, but there has never been a case where relying on the glory days was a benefit to anyone, and it certainly isn’t the case with E3.

I’ve never played “Far Cry 3: Blood Dragon.” I’ve never spoken to anyone who has, I’ve never been in the same vicinity of a playable version of it, and my only real exposure to the game is the spectacular 15 minute demo IGN put out recently.

Yet I can tell you without shame in my heart, or doubt in my words that I love “Far Cry 3: Blood Dragon.” Truly love it.

While I realized this the moment that I heard “Long Tall Sally” blasting from a helicopter stereo in a glorious tribute to the greatest sci-fi action movie of all time (“Predator”), it’s not even the game’s love of everything sci-fi 80s that stirs these emotions in me. Rather it’s something deeper, more real.

It’s because “Blood Dragon” reminds me that add-on content doesn’t have to be a bad thing, but can actually be fun.

Too often downloadable content is seen as a necessity, or worse a money grab. “Blood Dragon” is the antithesis of that idea. It was the brainchild of a group of developers who saw the opportunity to release the necessary DLC content for “Far Cry 3” as something more than an obligation to bang out some new items, or a side story in the same environment, but instead they took the chance to take all of the original game’s well developed mechanics, and use them as the foundation of something that would not only be creatively satisfying, but that could be as enjoyable to make as it would be enjoyable to play.

In this case it just happened to be a tribute to the world of over the top 80s video games, science fiction, and cartoons. Every aspect of the game is dipped deep into the well of 80s nostalgia, as the cutscense are straight out of an 80’s NES game, there’s a VCR filter over most of the proceedings, and the amount of film references is nerdgasmic. Seriously, if you took a sip of watered down light beer for every “Terminator” reference in the demo, you’d die of alcohol poisoning three minutes in. It’s like the proper video game adaptation of so many franchises we never got, all rolled into one.

But again this isn’t about the content of “Blood Dragon” specifically. It’s about how all other developers need to take notice of “Blood Dragon,” and remind themselves that the moment they feel bored doing DLC, they are probably doing it wrong. Before I saw “Blood Dragon” I honestly never considered that DLC could be a good thing for gaming, but just like “Bioshock Infinite” did for sequels, “Blood Dragon” shows the benefit of preserving the mechanics of a great game, but changing everything else to produce something that doesn’t give you more of what came before, but something more original that reminds you why you loved that game in the first place.

So while the neon infused hyper retro world of “Blood Dragon” should be enough to get anyone to play it (especially as you don’t even need “Far Cry 3” to do so,  making it more of a standalone add-on), the real reason you should pick it up when it is released on May 1^st is to show developers that gamers are tired of downloads that just put armor on horses, and instead crave expansions that actually expand and explore the possibilities of a franchise.

I hereby denounce any public or private doubts I had about “Bioshock Infinite.”

The game really is just that good, as you’ve probably gathered from nearly every review and impression.

It’s hard to not have had doubts at some point about the title though, considering the substantial development time and departures of major developers during which. There is, however, precedent for games surviving that type of ordeal, as an elite group of titles managed to survive long delays, and massive amounts of hype and expectations, to emerge as great games. I can think of 8 in particular that were well worth the wait.

Honorable Mention – “Fallout 3” – A definite candidate, but “Fallout 3” gets a lot of love on this site, so just once I wanted to give some other titles their dues.

8. Mother 3

I remember seeing the first blurry and ugly screens of the “EarthBound 64” project in Nintendo Power, and being ecstatic about the prospect to a sequel about my favorite game ever.

As time went on screenshots and other news releases became fewer and fewer, until many started to believe the whole thing may have been an elaborate hoax. Then around 2004-2005, word got out that a third entrant in the cult hit “Mother” series would finally see release…in Japan. Not content with letting the land of the rising sun have all the fun, a dedicated group of American fans released an incredible and thorough translation of the title, so almost everyone could finally play the long awaited sequel.

While admittedly not the best game on this list, the “abandon all hope” mentality was strong regarding this one, and the dedicated translation efforts go to show that you can’t get in the way between fans and the games they really want.

7. LA Noire

Not all long awaited game are continuations or sequels.

The only original property on this list, there were rumblings of a 1940’s noire style video game dating back to 2003 when developer Team Bondi was formed. Originally set to be published exclusively by Sony, as the years wore on the game would switch publishers to Take Two, and seemingly grew in ambition as the release date kept slipping and slipping. Until the game graced the cover of a 2010 Game Informer, many even believed it to be quietly axed.

While reception to “L.A. Noire” was somewhat mixed due to its polarizing gameplay style, there is no denying the technical marvel of the graphics, or the pitch perfect execution of its retro style. The first video game to ever be accepted as an entrant to the Tribeca Film Festival, “L.A. Noire” emerged from an endless development cycle quite possibly something greater than it was originally conceived as.

6. The Legend of Zelda: Ocarina of Time

The only reason this one isn’t higher, is because it was somewhat inevitable.

Still it was 1991 when “A Link to the Past” had Nintendo fans the world over gushing over the series’ brilliance, and outside of “Link’s Awakening” for the Game Boy, it would be 1998 before the true follow up to the series would see release. In the middle was a whole lot of nothing, as Nintendo remained mum about their most anticipated theoretical title, only casually referencing it, and often speaking of only delays.

Of course you probably know how this one turned out, as “Ocarina of Time” is widely regarded as one of the best games ever, and shows anticipation is a benefit if you can capitalize off of it.

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