Grand Theft Auto III turns 20 and a whole generation of gamers start to feel their age. The Ringer has an excellent look back at this influential game from Rockstar Games, citing how it “set a new standard for open-world video games.”
If you haven’t heard, Empire recently broke the embargo date for their “Last of Us” review and, though it has already been taken down, leaks of the review reveal impressions as glowing as could possibly be, including a quote that the title could give gaming its “Citizen Kane moment.”
While that remains to be seen, that quote does bring up an interesting point that sometimes games and films run parallel to each other not in their themes or plots, but in the impact they leave, and the greater ideas they exhibit.
So even though some may initially appear to be as far apart as can be, here are five video games with historically speaking film equivalents.
The Game – Braid
The Film – Reservoir Dogs
What They Have In Common:
There were indie games before “Braid,” just as there were indie movies before “Reservoir Dogs.” Yet both usually come to mind first when considering the word indie, mostly because they each achieved a level of success across every measurable aspect that was unprecedented for independent titles, and opened the door for smaller creators to get their films and games out there with a legitimate chance to make it that simply didn’t exist before.
The Game – E.T.
The Film – Plan 9 From Outer Space
What They Have In Common:
Hey, they’re not all great.
In fact some are just the worst. Both “Plan 9” and “E.T.” are usually the poster children for the “worst ever” argument, even if “Plan 9” didn’t become the scapegoat for the fall of its medium, nor did it get buried in a New Mexico landfill. The real reason that these two are siblings though is because despite their image as the worst, they actually aren’t. Instead both are so bad they have achieved a cult status greater than their actual quality should have allowed for.
The Game – Grand Theft Auto III
The Film – Easy Rider
What They Have In Common:
The American dream, violence, rebellion, controversy, and freedom are all themes prevalent in “Easy Rider,” and “GTA III.” Both challenged the mainstream conscious with their brazen attitudes and controversial style, yet both would usher in new eras of thinking where suddenly the establishment was no longer what had to be, and anything seemed possible. Hell, both even had rocking soundtracks, and the “GTA” series would later feature “Easy Rider’s” stars Peter Fonda, and Dennis Hopper.
The Game – Myst
The Film – 2001: A Space Odyssey
What They Have In Common:
It’s not easy to make an artistically acclaimed and financially successful work that forces people to reexamine their perceptions, but “Myst” and “2001” did just that. Experiencing either was a watermark moment that made you expand your mind, yet both also achieved some unusual financial success considering their ambition. Need further proof? Both also happen to be very confusing, both featured validation of technological innovations (“2001’s” special effects, and “Myst’s” CD-ROM format), and both honestly haven’t aged that well.
The Game – Super Mario Bros.
The Film – Star Wars
What They Have In Common:
Sharing a theme with other entrants in this article, “Star Wars” and “Super Mario” were not the first of their kind, which in this instance means blockbusters.
However, they are both icons of the word blockbuster, because of the impact they made. “Star Wars” would usher in a new era where films were financially viable beyond just box office receipts, and “Super Mario” showed gaming could be successful once more. Even though both would be surpassed by their true successors (“Empire Strikes Back” and “Super Mario Bros. 3”), there is a mystique and undeniable quality regarding these works that makes them not only landmarks, but have maintained their ability to be successfully introduced to new generations.
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I probably don’t need to tell you, as there is a good chance most of you have seen it at least once already, but the third installment of Christopher Nolan’s Batman franchise, “The Dark Knight Rises,” hit theaters this weekend, and is attempting to bring the series full circle by pulling off the rare cinematic feat of releasing a third movie that equals, or even surpasses, the quality of the two that came before it.
The history of movies is plagued with bad third installments (“The Godfather Part 3,” “X-Men: The Last Stand,” “Spider-Man 3” to name a few) and very few successes. While this can be attributed to a number of factors, the fact remains that a complete movie trilogy usually falls apart at number three. What’s odd is that video games do not share this problem. In fact, the history of video games has shown that the third installment can sometimes yield a truly great game, if not the greatest of the series.
Don’t believe me? Then take a look at some of the greatest third games of all time.
“Tekken 3”
The “Tekken” series hasn’t quite disappeared off the face of the earth, but the series’ heyday has long passed. “Tekken 3” was the pinnacle of the series’ excellence, and to this day remains one of the most perfectly designed fighting games of all time. “Tekken’s” established gameplay style reached absolute excellence, and did so with one of the greatest roster of fighters ever assembled. “Tekken 3” also added a couple of very fun game modes in Ball Mode (a competitive beach ball contest) and Force Mode (a “Final Fight“style brawler), that were so entertaining in their own rights, it seemed like Namco had finally resorted to rubbing it in other fighting game developers faces.
“Tekken 3” remains the 8th highest rated video game of all time on Game Rankings.com, and more importantly is still fun to play today. The first two “Tekken” games were good, but thanks to “Tekken 3” they are also largely irrelevant.
“Grand Theft Auto 3”
I dreaded writing this list, because I knew I’d have to include this game. The truth is that I have nothing more to say about “Grand Theft Auto 3.” Over the years I’ve exhausted every single combination of words to describe how “GTA III” is one of the greatest and most revolutionary games of all time, and how its overnight release changed the entire video game industry. I simply can’t go on anymore about its amazing gameplay that is bested only by its mature storytelling, which is further overshadowed by the incredible little design decisions that permeate the entire game. I’m also sick of mentioning “GTA III’s” classic line up of characters, and those unforgettable radio stations that lent “GTA III” one of the greatest game soundtracks of all time.
And of course, I can’t fathom bringing up one more time how this, the third release in an otherwise previously non-noteworthy series, completely stunned everyone who never saw it coming and changed this franchise from cult hit at best to worldwide phenomenon considered both the most popular in its field at the time, and the most artistically sound as well essentially making it “The Beatles” of video game series.
Yup, I’ve just got nothing more to say about “GTA III.”
We’re really starting to hit that horrible lull in the year when it comes to video game releases. I don’t know what the complete logic behind it is, but for some reason, game development companies do not see fit to release big titles during the summer months, and instead prefer to back up the holiday season with every title in their arsenals, Triple-A release or otherwise. It’s not fair for gamers who would like to stretch their funds and time instead of trying to invest everything they have into a two-month period at the end of the year.
It’s this time of year that you have to hope for a good surprise to come along and really blow you away. While everyone enjoys riding the hype wave of a major release, and enjoying the fruits of your patience on a game’s release date, there is no feeling that is comparable to that experience when you go into a title with zero expectations only for it to send chills down your spine with just how good it is.
To prove this theory, and maybe generate some positive vibes so a sleeper hit will come our way again, here’s a small sampling of some of the greatest surprise hits of all time.
“Minecraft”
It’s fitting that a game all about building also represents the typical building blocks of a surprise hit. It had no hype, no budget, a no-name developer, and no real precedent as far as its concept.
I don’t remember when “Minecraft” took the world by storm, but it wasn’t quite after its 2009 beta release. Instead, it was sometime after that when people’s creations started appearing online, and when every game site in the world ran a 200 word feature piece about some novelty game called “Minecraft” that was gaining steam. Slowly, as the unlimited potential the game’s engine possessed became more and more clear, gamers everywhere divided themselves into two groups. Those who “got” “Minecraft,” and those who didn’t.
It’s usually fairly easy to tell when a game developed in Japan is going to make it to American store shelves. If it’s the new “Final Fantas,y” it’s probably a pretty good bet you’ll see it stateside. If it’s a mech-noir dating simulator, chances are slimmer.
So it’s still something of a mystery, then, how a game that features a deformed space prince rolling up a perpetually growing ball of objects to replace the various cosmos his father, the King of the Cosmos, accidentally destroyed would end up a smash hit. There’s little doubt that the concept of “Katamari Damacy” is what got gamers to give it a try, but from there it was the game’s simple controls and creative and addicting gameplay that really started moving titles off the shelves in earnest.
It’s odd that the very concept of “Katamari Damacy” both alienated it to start, and made it irresistible thereafter. It just goes to prove that the occasional chance against all odds, can result in a success story worth more than all the failures that led there.