Booting up “Halo: CE” for the first time was just one of those moments.

While the thrill of playing a new console (the Xbox) and the hype the game had generated shortly before release were enough to amp you up before you even booted the game, it was the moment the main screen appeared that you immediately realized you were about to embark on something special. That’s because it was the moment you heard the “Halo” theme in all its glory.

Not only does it remain one of the best gaming themes of all time, but to this day it stands as one of the few musical themes across all mediums that manages to perfectly convey the material it represents, as its haunting intensity can flood memories of long nights of play into your conscious with no more than a note.

It’s the kind of work a composer could hang his hat on and call it a career, but that isn’t the case for “Halo’s” composer Martin O’Donnell, who has continued to work on the famed series, and who’s newest task sees him composing the theme to Bungie’s new game “Destiny.” That’s no small task considering that Bungie is trying to work with a clean slate not reliant on any previous success, meaning they’ll need a theme as epic as the one in “Halo,” but without being the one in “Halo.”

To help him in this herculian task, O’Donnell has recruited a man that’s had more than a little experience in producing hits over changing conditions.

Sir Paul McCartney working on an FPS with the composer of “Halo” may sound like an odd (or even dreamlike) scenario, but its roots are much more humble. As O’Donnell explains it, he was talking with a friend that worked on “Rock Band” when McCartney was helping that team out, and the friend mentioned that they could name drop O’Donnell to the rock legend. O’Donnell said why the hell not and since McCartney had played “Halo” with his grandkids (imagine that for a moment) knew O’Donnell’s work and took the chance to assist him with “Destiny.”

According to O’Donnell, McCartney is always excited to work on new ventures, and has brought a fresh perspective, as well as his tape loop machine used on Sgt. Peppers and years of experience, to the process. The combination of these great minds, has to date produced a 50 minute soundtrack which, according to O’Donnell, tells its own story within “Destiny” and will be released separately ahead of the game.

From the ambitious looking footage, its clear that Bungie has no interest in selling “Destiny” as a carbon copy FPS with “From the makers of Halo” stamped on the box, and this move to reach out to, and attract, a legend like McCartney is further proof of that, and that even in a crowded gaming line up we should all be keeping an eye on “Destiny” and an ear on its theme in anticipation of one of those moments.

With Sony and Microsoft introducing the newest eighth generation consoles – the Xbox One and PlayStation 4, respectively – some of the highest graphic potential games are imminently poised to enter the market. Video game technology is one of the fastest moving industries, and in order to compete studios are consistently testing the confines and boundaries of what that technology is capable of producing.

Some of the hottest games slated for 2014 include Titanfall and Destiny that immerse a player in a hyper-realistic setting with incredibly detailed character and in-game design. The sheer size of some of these virtual environments is amazing. Additionally, the freedom to be able to create entire worlds has allowed developers to take full advantage of the human imagination, inhabiting these other universes with anything from monsters and mech-robots to protolithic deities and cartoon characters.

But sometimes it’s easy to forget about the precursors to these next generation gaming experiences. The beauty of consoles like the Super Nintendo was that the limitations on their technology, what they were able to display, did not hamper the creative process – quite the contrary, it fostered it. Some of the first role-playing games (RPG) to grace the video-game industry like the initial Final Fantasy and the time-shifting Chrono Trigger were (and are) just as expansive and imaginative as games coming out today, both in terms of their innovation in actual gameplay, their focus on story and character development, and their playability even decades after their release.

That seems to be where a lot of modern games lose their steam – press releases for new games tend to emphasize how many hours of gameplay are to be expected, and this notion of setting a quota often makes the games quite interesting to play, but don’t really imprint any lasting effect. Arcade-style and strategy games, like the original RPGs for the SNES, are iconic not only in their capacity to draw us, but also in their tendency to keep us coming back for more.

Some studios have picked up on this latent nostalgia for simpler formatted games which emphasize 2D interfaces, most notably Klei which brought out Mark of the Ninja for Xbox and continues to release updates to its survival game Don’t Starve. But the beauty inherent in coming back to an older format of video game is being able to look at it through a contemporary lens, and develop novel ways of approaching the gameplay.
Independent studios, which often lack the same sort of funding and manpower, are the guiding forces behind this 2D re-emergence, as well as other businesses that are picking up on the accessibility of gaming. Online casinos and developers of applications for mobile phones and devices are consistently using the 2D style to display their applications and services – think of any Online Poker or Slot Game, or the craze that Angry Birds experienced.

It’s proof that advanced and complex graphics don’t necessarily make for a good game (consider all the heat that subsequent installations in the CoD saga have experienced). What makes a good game is a good idea, and the ability to tell a story in a fun, interesting, or controversial way – the release of Reus from Abbey games is an excellent example, where you take on the role of a god by creating entire eco-systems. The dimension-shifting 2D game Fez takes a meta-approach t by allowing the player to shift the environment 180 degrees on its axis.

Although there is something exciting in the course of video-game evolution, and its endeavour to supply an interactive form of entertainment and adventure, it’s important for developers to recognize that technology is a tool, not a crux. A game can be as flashy and loud as an ambulance, but that doesn’t necessarily mean it’s appealing. The rise of independent game developers, by virtue of the resources available to them, are beginning to represent a shift in video game culture as more and more people pick up on the creativity afforded by a simple 8 bit graphics card.

Simon is a writer and content specialist who is addicted to being on the front page of anything. A graduate of Dalhousie University, he specializes in using the em dash too often. Currently, Simon rests his typing hands in Vancouver, Canada. Check out his recent thoughts on online gaming.

The winds of gaming are constantly shifting and changing, but whether it be the next generation bearing down on us, or the inevitable just happening to be occurring, it seems quite a few changes seem to happening at once when it comes to actual gameplay.

For our purposes, let’s call them trends.

Like any other medium, gaming is susceptible to trends now and then, but unlike, say, the world of fashion where they often pass by with such speed as to go unnoticed, trends in gaming tend to stay quite some time. If you’re looking for what to expect out of video games as we enter a new generation then, look no further than these five trends, which will soon dominate the industry.

5. Tablet and Smartphone Interactivity

Maybe the Wii U isn’t so farfetched after all, as supporters for using smartphone and tablet features with their games are a growing crowd.

This is most obvious through the Xbox One’s features, which make it clear Microsoft intends to use every entertainment avenue available to enhance the function of their system, however, this is also visible in individual titles like “Watch Dogs” and “The Division,” which are not only promising, but show some exciting and creative tablet support features as well.

It’s a growing tech world out there, and video games seem to be recognizing that as they head into a new generation.

4. Games Get Harder

This is more a notion of where we are going to be in a year from now, more than an idea with a host of tangible examples, but games are slowly getting harder.

Call it the “Dark Souls” effect, but suddenly it seems like even the normal modes of titles are presenting more of a challenge than they did just a few years ago. Whether it be in last year’s surprise hit “XCOM,” or this year’s GOTY leader “The Last of Us,” single player games are creeping closer to the 15 hour, or more, completion mark that was rare in even more recent major releases.

The only downside here is that this could lead to a greater emphasis in the freemium model as companies charge to help gamers get ahead. As long as some personal restraint is shown from gamer’s end though, this is a good thing.

3. Shooters Are Here to Stay

The shooter genre (the majority of which are of the FPS variety) represented the dominate game type of this last generation and, if this year’s E3 is any indication, that isn’t changing anytime soon.

This isn’t necessarily a bad thing though, as many of these shooters represented the best games of the show. Titles like “Titanfall,” “Destiny,” and “Killzone: Shadow Fall” all garnered well deserved attention, and show that FPS’s are not only still kicking, but have plenty of life left in them.

If you’re really down about this though, just know that plenty of developers on both the indie scene and elsewhere are coming up with a plethora of original ideas, seemingly to combat this movement. However, that’s just all the more evidence the shooter is still king.

2. Color Comes Back

In an effort to present a “maturity” of sorts, many games from the previous generation used muted tones of grey, black, and brown and little else. While it got the bleak mood across well enough, it also led to every game looking the same.

But between “Bioshock Infinite’s” bright and creative world of Columbia, “Far Cry: Blood Dragon’s” neon tints, and several titles at E3, it looks like the sun is slowly breaking through the grey, and color is being highlighted once more in the gaming world. Even “Killzone,” the poster child of the grey palate, seems to be integrating reds, blues, and more into its next title, serving as a harbinger of sort for the movement.

Maybe not everyone sees it the same way, but this is a promising trend that can only improve creativity.

1. The Apocalypse

Every once in a while a setting dominates gaming. It was WWII, then it was Sci-Fi military worlds, and then of course the last few years have shown a horde of zombie games flood the market.

Now though, it’s the apocalypse that’s primed to dominate the scene. “The Division,” “The Last of Us,” “Mad Max,” “Titanfall,” “Destiny,” and too many more to count all show some sort of view of the world after the one we know now has ended, and they are just the horsemen of this movement that is sure to change the landscape of gaming in a literal way.

Like many other trends, your interpretation may vary on this movement, but it does mean that from now on it’s the end of the world as we know it.

Sure we’ve looked at how the biggest game companies in the world fared at E3, but when you really get down to it, the expo is more about the individual games that will come to define the next year and far, far beyond.

While this year’s E3 may have been no different, it is unique from previous events in that there wasn’t that one game that clearly stood above all, but rather a host of  intriguing titles that promise to bring a variety of incredible gaming experiences to this generation and the next.

That may be great for gamers, though not their wallets, but when trying to narrow down such a stacked field to only 10 titles, you open yourself up to a world of disagreement, self doubt, and the feeling that ultimately you forgot something. Nevertheless, through it all, these were the 10 best games on display at E3 2013.

10. Star Wars Battlefront – Ok, ok, this one wasn’t really on display long, and as such we know less about “Star Wars: Battlefront” than any other major game revealed at E3, but what we do know is it’s the unlikely revival of the highly underrated “Star Wars” online multiplayer series made by the same people who have been making some of those exceptional “Battlefield” games of late.

And you know what? That’s all we need. Get excited people, because this is really happening.

9. Rain – I’m a fan of unique concepts in games, because even if things don’t completely work out, you’re left with something that stands apart at the least.

In that spirit, “Rain” is already a success of some sort, as its invisible protagonist illuminated solely by the falling rain provided one of the more original visuals of the entire show, and promises to refresh the age old ideas of puzzles and platforming by building everything else around that design. “Rain” could very well be the next indie darling for the PS3 and gamers everywhere.

8. Sonic Lost Worlds – Of all the unlikely possibilities that could of occurred at E3, the biggest one that came true would have to be…well probably the return of “Battlefront.”

But right after that would be a Sonic game being the highlight of Nintendo’s showing. Sonic has had a rough fifteen years in terms of quality games, but “Sonic Lost Worlds” looks to erase that long dry spell in a big way. Sure it may take a design idea or two from “Mario Galaxy,” but with gameplay that fast and exciting, no Sonic fan (or soon to be Sonic fan) is likely to balk.

7. Evil Within –  Ask any horror gaming fan what the problem with the genre is today, and they’ll likely tell you it’s the action heavy focus made popular by the revolutionary “Resident Evil 4.”

While many have promised to buck the trend, the very real gameplay shown of “Evil Within” looks to actually be doing just that. It takes all of the aspects required of a good horror game (a mix of scares, great environment, and crafty production) and builds it around an enticing story that looks to be ready to make good on that whole scaring the beejesus out of you thing gaming has been lacking of late.

6. Beyond Two Souls – We’ve known the next game from the developers of “Heavy Rain” was going to be a cinematic journey for some time now, but after the extended preview at E3 2013, it’s still clear we don’t have a grasp of exactly what it is.

While some are worried by the action heavy trailer, if Quantic Dreams can combine the subtle storytelling and literary quality character interactions of “Heavy Rain” with the surprisingly interesting action we saw in “Beyond’s” E3 preview, “Beyond Two Souls” could be much more than anyone was expecting, and make a serious game of the year run in one of the most stacked years in recent memory.

5. Titanfall – While no one is going to try to pretend the Xbox One had a great showing at E3, that doesn’t mean that there weren’t individual highlights during their presentation, particularly in the exclusives department.

Of those, “Titanfall” made the most noise, and with good reason. It’s combination of first person shooter and mech combat gameplay shown in a highly cinematic fashion (and set to some great music), was one of the more visceral reveals of the show, and even has gamers who’ve already sworn off the Xbox One keeping close tabs on it.

4. Destiny – While I wouldn’t go so far as to call Bungie a one trick pony, the developer hasn’t had much reason to veer from “Halo” in the last decade or so and flex their creative muscles.

With “Destiny” they appear to be making up for lost time by introducing some intriguing new ideas into the genre they re-shaped with “Halo” (console first person shooters), and have so far displayed a game that may be promising a lot, but continues to look better with every minute of gameplay shown. Should they be able to make good on their ideas, this could very well be the premier FPS franchise of the next generation.

3. The Division – Some games can generate hype by just breaking down their pedigree. “The Division,” an open world, online team based, post-apocalyptic shooter RPG, set in the ruins of New York, is one of those games.

But if buzzwords and genres alone don’t convince you, then surely its extended gameplay demonstration will, as it shows a massive online shooter in the style of an apocalyptic “Arma II” with enticing futuristic features like tablet support, but still based upon the classic idea that shooting with friends is fun. This is an incredibly ambitious idea that may soon quickly grow a rabid fanbase and move some consoles.

2. The Witcher 3 – The team behind the “Witcher” series seem to have their brains firing on a different level, as their ability to craft a massive RPG story composed of smaller moments, and built on a foundation of unique combat and gameplay has quickly turned the franchise into a runaway cult hit for hardcore RPG fans across all platforms.

With the “Witcher 3” it appears the team is looking to expand that fanbase by crafting a more accessible, but no less brilliant, masterpiece. While it takes some cues from competitors here and there, the “Witcher 3” is promising a unique open world experience with truly dynamic scenarios and environments that doesn’t sacrifice any of the gameplay that made the franchise what it is. At an E3 filled with the phrase “Next-Gen,” this looks to be one title that truly encompasses the idea.

1. Watch Dogs – “Watch Dogs” wasn’t just the surprise of E3 2012 because it was an unannounced original concept from a high profile developer, but because of just how good it looked even in its early stages.

A year later and not much has changed. Just when “Watch Dogs” looks to have shown all of its tricks, another gameplay demonstration comes out, and we are left to realize that there is not only more than meets the eye to Ubisoft’s next big thing, but that it all seems to be coming together to form something as creative as it is polished.

Even if “Watch Dogs” fails to live up to its lofty hype, it could be no worse than an incredibly entertaining game. As of now though, it appears to be much more than that, and the best game of E3 2013 to boot.

I’ve only played one game as Twisted Fate since the ult nerf, but it seems to me that it hit him pretty hard. I’m also willing to say, though, that I probably need to spend a bit more time with him to figure out the magnitude of the nerf.

Quick refresher: Twisted Fate’s ult used to be insanely powerful. It granted vision of enemy champions, slowed them all (if you don’t remember this, it was nightmarish), and allowed him to port, all on a pretty short cooldown. When he was reworked, the old Gate skill was combined with his ultimate and the slow on Destiny was removed, reducing some of the power but still not addressing the fact that global ults just stink, especially on damage dealing characters.

Now his teleport has range a bit more like Nocturne’s paranoia, still with the vision functionality. For TF, though, that ultimate isn’t nearly as good. It works on Nocturne because Nocturne is a jungler, constantly roaming, invisible to the enemy team for the most part. TF is a lane champion, though, which means he’s hopefully getting called MIA when he leaves the lane. Now granted, he can go from MIA to behind you much faster than other champions, but if your mid lane is diligent, it should be easy enough to keep his early ganking power down. The fact that he can’t jump from base down a lane now also makes a big difference. It used to be that you could pretty much expect a TF ult every time he went back to base. Now he has to get into position long before casting Destiny.

Don’t get me wrong, I think that’s a good thing, but I think at this point I think I’d rather see him get a full-fledged damage ultimate than have another teleport in the game. Either that, or reduce the range even further, remove the vision component, and reduce the cooldown by like half. As it stands, his kit is balanced around dropping on unsuspecting players, but as a lane player he can’t do that very well for the early game. He’s stuck farming in lane, typically against stronger 1v1 opponents who can burst him down at some point between levels 6 and 11 while he’s stuck running up and down river to get enough range for a proper gank.