Games to Look Forward to in 2014
2013 was definitely a magnificent year for the gamers of the world. Next level games such as Battlefield 4, Grand Theft Auto V, The Last of Us and Assassin’s Creed IV: Black Flag, to name a few, had all the different types of gamers jumping up and down in pure ecstasy. With a year that had so much to offer, one might fear that 2014 might struggle to keep the hype and excitement alive. At the start of each new year, gamers come together, looking around nervously, wondering just what next generation game they will be able to sink their teeth into. It’s always a gamble, like on some https://www.jackgold.com/p/mobile-slots website, as to whether a game will live up to the hype, but luckily, it seems that the future looks promising. Here are three games I’m looking most forward to for 2014.
The Elder Scrolls: Online
Release date: 4 April (June for consoles)
If you’ve played any of the Elder Scrolls games, there is no need for me to remind you why this is one of the most anticipated games of 2014. Set in the same world as the previous instalments, but a thousand years before the adventures of Skyrim, this open world game moves away from the single player mode and into the thrilling territories of online. This brings about a whole new dimension in the form of PvP combat, granted you don’t take an arrow to the knee.
South Park: The Stick of Truth
Release date: 4 March
As an avid fan of South Park, and anything Trey Parker and Matt Stone are involved in writing, you can imagine my excitement when I discovered that the hilarious duo would actually be writing the game too. My excitement reached a whole new level when I realised Obsidian Entertainment (creators of Fallout: New Vegas) would take the developer’s seat. Get ready for some fun shenanigans, South Park style!
Tom Clancy’s The Division
Release date: End of 2014
As a complete sucker for both third-person tactical shooter games as well as mass multiplayer role-playing games, when I read about The Division, which combines both formats, I could hardly contain my excitement. When a deadly pandemic hits, leaving the world battered and chaotic, it is up to the Strategic Homeland Division to pick up the pieces and save whatever remains, no matter the cost. This epic MMORPG will see players come face-to-face with AI, friends and other players.
By Jason Swindon
Gamers are More Divided Than Ever…And That’s a Good Thing
Become enthralled by one thing long enough and regardless of whatever the thing itself may be, the same set of questions tends to present themselves when you began to look back on it.
While the questions are too varied to cover in full, a host of them will inevitably concern comparing that thing as it once was, to how the thing is now. When doing so it’s often essential to use your experience to properly separate the past as it actually occurred, and the past as you perceive it through the eyes of nostalgia.
That’s a distinction that’s been running through my mind recently as I look at how games have changed from both the day one origins of the medium, and from my personal start as a gamer, to where they are now. In doing so, it’s interesting to discover and distinguish the things that have actually changed, as opposed to the things that you heart tells you are different.
Specifically, lately I’ve been wondering if the gaming community really is more hostile to each other and divided than it has been ever before.
My heart tells me the answer is yes. After all, it seemed like the cultural divide among gamers when I was young didn’t extend far past Sega v.s. Nintendo. Now, though, we have issues like AAA v.s. indies, Digital Rights Management, the treatment of women in video games, the validity of YouTube gaming as a career, the ethics of micro-transactions, gaming as art, and many, many, more. All of those issues cause a nigh infinite series of divides among the gamers of the world, and that’s before you even get into the traditional Xbox, PS4, Wii U, and PC debates.
The question then is, are we really more divided as a gaming community than ever before? Is there really more of a hostile environment between gamers everywhere than there was back in the old days? Or instead, has this always been the case and its only the rapid speed the internet carries information and opinions at from all corners that causes the perception that there is more arguments than ever before?
Even when you approach that topic from an unbiased perspective, the answer will almost always be yes. Gamers are more divided and hostile than ever. The once popular idea of a community of gamers united against the rest of the world’s upturned noses at the very idea of gaming, has given way to a civil war with infighting on nearly every front. While you could argue if the embodiment of a gaming community with an “us against the world” mentality ever did truly exist at all, there’s little doubt that certainly isn’t the case now.
And you know what? In many ways we’re better off this way.
Well…Most of the Time Anyway
Oh sure from time to time I see a topic or viewpoint that I personally consider to be outlandish get very heated, and want to cite the always popular (yet rarely practical) “Can’t we all just get along?” belief, but for the most part I’ve come to accept the constant presence of various heated debates to be a good thing for gaming, and not a detriment.
The reason being is that complacency in any industry is never a good thing. No matter what else you can say against the average gamer, one this that’s for sure is that they are not a complacent lot. Not only are they quick to turn against something the moment it becomes a little too commonplace and comfortable, but they are always seeking out and confronting hot button issues without much in the way of fear hindering them. These may not always lead to the most sophisticated and intelligent debates mind you, but they are debates nonetheless.
It’s that constant stream of debate that ensures that developers, publishers, journalists, bloggers, websites, and anyone else on the creation side of the industry can never rest on their laurels. If there weren’t the dissension that exists on so many topics that we currently enjoy today, it’s possible that many of those in gaming wouldn’t feel the pressure (or even obligation) to create a variety of experiences that can cater to any number of personal tastes, preferences and beliefs.
There is a real passion behind many of the various viewpoints in the gaming world that is more and more leading to gamers from all walks of life getting creative and making something that perfectly represents their own particular set of thoughts. That not only serves as great entertainment for those that agree, but fuel for those who do not to do the same and create something of their own in opposition.
Sure its a general attitude that doesn’t really lead to a perfect gaming world (and there are, perhaps, some topics we would be better off being unified on), but its never really been a perfect world has it? The one we have now, though where gaming is essentially forced to constantly mature, re-invent itself, and provide a variety of experiences precisely because the role and image of a gamer is no longer a caricature, but rather a group of increasingly outspoken and discerning individuals is a pretty damn exciting one to live in, at least in lieu of perfection.
If there is one warning that all divided gamers need to heed though, its that we should all be careful to remember that at the end of the day, games are first and foremost meant for enjoyment and to be experienced. In that regard, it’s important to never be afraid to challenge your own views by actively seeking a variety of games in order to ensure that your beliefs (whatever they may be, on whatever topic or whatever style) are ones formed by trying all of the different experiences that games have to offer, and not limit yourself at all times to those that only serve your particular notions, thus undoing all of the good the current sometimes hostile and divided culture we enjoy as gamers is actually doing.
Is there a certain appeal to a utopian world where gamers come together to form a “Pleasantville” like community based on shared essential beliefs? Perhaps. But there’s also an appeal in a more gotham like gaming community where hostility and divided beliefs may rule the day, but they ultimately come together to form an impressive world that can only be forged from the fires of such a variety of passions.
Whether that’s your idea gaming world or not, it’s time we all stood back and appreciated the beauty and quality that world can so often lead to.
Posted in: Editorial
Tags: divisive gamers, gamers arguing, games, gaming, gaming blogs, gaming news, hostile gamers, video game arguments, Video Game Blogs, Video game news, Video Game Opinions, Video Games
Five Goals Gaming Still Has Left to Pursue
As we approach 2014, it’s hard to not feel proud of the gaming industry and how far it’s come. Every year it seems that gaming is knocking down pre-conceived limitations, and defying the expectations of naysayers who thought that certain gaming accomplishments would never be realized.
That being said, though, its important to remember that there is always more ground to cover. While everyone’s personal industry wide wishlists for the future are sure to vary wildly, here are five goals both minor and major that I feel that gaming as a whole still has left to achieve.
Establish a True Comedy Genre
Comedy, as a genre, has been around for essentially as long as the act of storytelling has. While it rarely gets the same level of critical or artistic praise that drama does, anyone who knows even the basics of storytelling knows that the two have a yin and yang relationship where the absence of one tends to throw the other out of balance.
Gaming’s relationship with comedy is somewhat less traditional. While there have been funny games before, and there have been plenty of funny moments in video games, there isn’t really a recognized independent comedy genre in gaming, as there isn’t really a steady enough stream of pure comedy game to justify its existence.
While you can’t fairly make a blanket statement on why that is, in general I feel that the underlying issue is similar to the one that faces the pure horror genre. By that I mean that there is a growing feeling among major publishers that comedy games aren’t viable financial investments. In the increasingly more expensive world of AAA game design, that’s pretty much the kiss of death.
It’s also an incredible shame as comedy is one of the most essential aspects of any entertainment medium, and gaming seems to be trending in a way that is discouraging the pursuit of it as a primary concept more and more. While modern titles like “The Stanley Parable,” give hope that indie developers may give new life to the creative pursuit of this idea, should that prove to not be the case then you have to consider gaming’s inability to really establish a true recognized comedy genre to be among the industry’s more notable failures.
Make Sports Announcers Sound Human
Man, this one just irks me.
We’ve come a long, long way in the world of gaming technology to the point that the law of diminishing returns is becoming a more and more popular citation when addressing the subject. Yet despite those innovations, modern sports game announcers still sound like a group of particularly antisocial robot reading lines off the sweaty palms of someone just barely in their range of sight.
I understand that as many sports announcers are pre-recorded personalities its incredibly difficult for them to account for the many variables that can occur during a typical game. However, you can’t convince me that the quality of video game sports announcers today is the apex of the technology.
What’s really needed is greater incorporation of some dynamic commentary elements. For instance, if my quarterback in “Madden” is having a bad year and throws another interception, it’d be nice to hear the announcers mention a potential QB controversy brewing. Similarly, if a QB is in a contract year and putting up career numbers, there should be some acknowledgment of the situation.
Regardless of the specifics, the general idea is that announcers need to start occasionally sounding like human beings. Some games are better than others (the WWE games are a great example of video game announcers at their worst), but in general this is a flaw that has plagued gaming for far too long.
Mature the Incorporation of Sex In Games
See, gaming has actually done historically well with the subjects of romance and relationships over the years. However, once things start to go beyond a platonic level, the quality of the subject gets more and more murky.
Historically speaking many games have either treated the subject of sex with the maturity of a particularly horny teenage male, or with the prudishness of a wasp couple. There haven’t really been many attempts to incorporate sex into a game (even one that would seem to naturally include it) in a way that feels organic.
It’s a bit of an embarrassment, honestly. There is still an unfortunate perception amongst the casual observer regarding the maturity and social skills of the average gamer, and the fact that there haven’t been many titles that handle such a basic topic in a mature, non-exploitative, yet still entertaining way does that image no favors.
Now, I could be wrong on this matter and there could be some game, or games, out there that actually covers sex in a way similar to what I’ve described. However, even if that is the case, the absence of that approach as a standard is the larger issue as it concerns gaming and sex.
Create or Discover the “Citizen Kane” of Gaming
I’m hesitant to include this entry because of the vague nature of the entire idea behind it. However, since this is among the most popular topics of discussion as it concerns the advancement of gaming, I’ll play devil’s advocate and give it a shot.
The basic idea behind the “Citizen Kane” of video games is that a game will come along that will make the average game fan (and society at large) recognize games as a legitimate potential art form, in the same way that “Citizen Kane” is recognized as the film that helped movies get established as a legitimate potential art form.
It’s a fundamentally faulty notion, but the spirit of the idea does have an air of truth to it. The average person doesn’t typically view gaming as an art form, and elements of gaming in mass media coverage tend to be about gaming controversies, or are otherwise cheap and insulting attention grabbers like the VGX awards, which actively harm the idea that there is a higher calling in gaming as a potential art form among more casual, or even indifferent, users.
Of course, what people tend to forget is that “Citizen Kane” was not an overnight game changer for many. Instead it would only fulfill that role in hindsight after a flood of ambitious, artistic, and financially successful titles that were directly influenced by it would make “Citizen Kane” the generally accepted turning point.
So perhaps instead the question of whether of not gaming will get its “Citizen Kane” shouldn’t just be a lookout for an individual release on the horizon, but a careful examination of the past to see if it’s already been released.
Improve the Current Video Game Property and Licensing System, or Create a New One
Have you ever wondered why a certain favorite game has never seen a sequel, or why that original game no longer seems to be available for digital download? Well it could honestly be for any number of reasons, but more often than not the problem is one of licensing.
Gaming has long had serious issues with property licensing. While this is sometimes tied into the inclusion of a third party property (like the one that faced “The Simpsons” Konami games), there are a disturbing amount of completely independent properties that are handcuffed by archaic, or even non-existent, laws.
The entire system regarding property video game rights and license acquisition is one of the most convoluted and mysterious in all of entertainment. While many might think it’s a simple matter of contacting the right party and offering the right figure, the truth is rarely so simple.
Good Old Games shed some light on this issue earlier in the year when they revealed that the process to acquire “System Shock 2” for digital distribution took years of concentrated effort, most of which involved navigating a system shrouded in confusion where even the people who were the right ones to contact, didn’t know they were the ones who should be contacted. During the course of their lengthy legal battles they were often working without a net, as precedent for such an effort is almost non-existent.
In some cases, the situation surrounding property rights of games would be hilarious if they weren’t so sad. For example, the popular “No One Lives Forever” series has long been unavailable to modern users due to the simple fact that no one knows who has the rights to it, even among the small group of people that potentially could. In other words, under the current system, entire game licenses can be lost as easy as a set of car keys.
It’s an embarrassing mess of bureaucracy and incompetence. Recent years have seen some major improvements in this area, but unless a concise and through overhaul of this entire system is undergone, we run the risk of making a sizable part of gaming history inaccessible.
Posted in: Editorial
Tags: better sports announcers in gaming, better video game sports announcers, citizen kane of gaming, comedy games, comedy genre in gaming, gaming, gaming blogs, gaming news, improving sex in video games, No One Lives Forever licence, sex in video games, things gaming hasn't done, things gaming still has left to accomplish, Video Game Blogs, video game goals, Video game news, video game pursuits, what hasn't been done in gaming
Now That Nintendo is Making Crossovers, Here Are Six That I Would Like to See
Thoughts on the recently announced “Dynasty Warriors” and “Legend of Zelda” crossover “Hyrule Warriors” seem to range from OMG to FML all over the internet, and among the incredibly insane Nintendo hardcore fanbase.
Personally I think it’s about time that Nintendo starting merging their established properties with other incredibly random, yet oddly appropriate, gaming franchises. In fact, as long as the door to the entire concept is kicked in now and anarchy reigns, I can think of at least six lazily titled Nintendo crossovers I’d like to see.
Bushido Emblem (Fire Emblem/Bushido Blade)
If it weren’t already established that life isn’t fair, I would eternally wonder why the “Bushido Blade” series has not seen a proper follow up in years. A truly original entrant into the fighter genre that’s capable of effortlessly producing intense match ups, “Bushido Blade” revolves around a combat system where one hit can end it all. Think “Dive Kick” with more strategy.
The “Fire Emblem” series diverse cast of characters and their appropriately large arsenal of weapons would actually fit nicely into “Bushido’s” mechanics. For that matter, so would “Emblem’s” consistently well done art style and the fact its characters are used to dying quick and unheroic deaths (at least when I play it).
Also…oh screw it I just want a new “Bushido Blade” game. It can take place in “Pokemon’s” world for all I care. Get on it Nintendo.
Of course since “Bushidomon” isn’t likely even by the new Nintendo crossover standards, maybe they could blend the famous monster catching series with the 2008 “could have been way better” PC classic “Spore.”
It’s a natural merger really. In “PokeSpore” you could design a world full of Pokemon, and watch them evolve and become prized by Pokemasters everywhere. Plus Nintendo could just scrounge “PokeSpore” player’s games to tap into a nigh infinite free source of increasingly uninspired “Pokemon” designs.
That’s a win-win people.
Silent Crossing (Silent Hill/Animal Crossing)
Anyone can get lost in the world of “Animal Crossing.” Besides being filled with a seemingly endless amount of activities and interior design possibilities, it’s lighthearted cartoonish nature makes for a very inviting setting that can make a 100 hours pass by in what feels like minutes.
However the real question is, can the “Animal Crossing” gameplay survive a trip to a more undesirable locale like “Silent Hill?”
The answer, of course, is shit yeah it can. In “Silent Crossing” you’ll play the new mayor of “Silent Hill” and are tasked with keeping up the town and interacting with its eternally tortured denizens, as well as redecorating the world to reflect the unique psychological horrors of its next outside visitor.
The Binding of Icarus (Kid Icarus/The Binding of Issac)
Look, most of the ideas on this are poorly conceived and lazily written jokes. A rouge-like “Kid Icarus,” though, is no joke. It would just kick ass.
After all, the original “Kid Icarus” was an insanely tough game that might as well of had perma-death in place, and even featured an upgrade and item system that’s not too out of place from the average rouge-like. Combine that with the diverse mythical elements of the Icarus series, and this isn’t hard to see as a highly entertaining possibility.
In any case a rouge-like is a more logical genre for the series to merge with than a 3D shooter was.
League of Smash (League of Legends/Super Smash Bros.)
Blitzcrank, Ahri, and Darius? Never heard of them. You want real heroes you’ve got to look at Link, Mario, and to a lesser extent Luigi. You’ve got to look at the “Smash Bros.” roster.
In “League of Smash” you would choose a team of classic Nintendo heroes with their own unique attributes and abilities, and pit them against an opposing team of Nintendo heroes in a MOBA setting. Minions are Pikmin, worlds are based on classic Nintendo environments, and…
Huh. Maybe it’s my 8 A.M bourbon and bourbon (that’s bourbon mixed with bourbon) kicking in, but that actually sounds like something I would buy the hell out of.
Mushroom Kingdom Hearts (Nintendo/Kingdom Hearts)
Let’s be honest. At the end of the day crossovers are built on the philosophy of combining two or more popular properties to appeal to a wider, established demographic. Following that logic, the combination of Nintendo, Disney, and “Final Fantasy” would have to be considered the alpha crossover.
It doesn’t even come close to mattering what the actual game plays like. This thing could make so much money that it would completely undo the order and structure of the global economy.
Posted in: Editorial
Tags: Animal Crossing, Binding of Issac, Bushido Blade, Fire Emblem, funny game ideas, games Nintendo should make, Hyrule Warriors, Kid Icarus, Kingdom Hearts, league of legends, nintendo, Nintendo crossovers, Nintendo News, Pokemon, Silent Hill, Spore, super smash bros, video game humor
Video Game Auxiliary Awards for 2013
Game of the year awards? Yeah those are fun. But in a year as full as 2013, I didn’t feel satisfied with the amount of games I got to talk about in that mere top ten collection.
As such, I’ve created a number of auxiliary awards in an effort to cover more ground. Some are good, some are bad, and some are so specific they could only be dreamed up after a six beer self medication session following another traumatic Dallas Cowboys loss on Sunday. These are those awards.
Game That Proves You Can Turn Anything Into a Videogame – Viscera Cleanup Detail
Are games about farming and driving a truck across Europe weird? Yeah but at least there is some potential for excitement in those scenarios, as they allow you to do something you may not otherwise get to in real life.
It’s “Viscera Cleanup Detail” that proves that no topic is incapable of being gameified, though. In it you play a janitor tasked with cleaning up the aftermath of video game levels, with gameplay consisting largely of mopping. At this rate I wouldn’t be surprised if we get a game about data entry where you are actually doing data entry for a company, but pay them to do it.
Most Overrated Game – Tomb Raider
I tend to shy away from this topic, as by its very nature it requires you to take shots at a game that’s generally well liked. It’s difficult to not sound like kind of an ass in the process.
However, the love train for “Tomb Raider” is getting a little too crowded this awards season. It’s by far the best “Tomb Raider” game made in years, but is also burdened by uneven action sequences, a meandering plot, a host of half implemented ideas, and not enough platforming, puzzle solving, and actual tomb raiding. It’s a very good game, but certainly not a great one.
Best System of The Year – Nintendo 3DS
Hey believe me, I’m just as shocked as you are.
The 3DS has still yet to really prove that its 3D capabilities are worthwhile, but when you look at the system’s murder row lineup this year (“Fire Emblem,” “Pokemon,” “Zelda,” “Animal Crossing,” etc.) its hard to deny that the handheld provided better exclusive entertainment than any other platform in 2013.
Most Intriguing Developer Not Getting Enough Attention – Simogo
Mobile gaming is, by and large, bastardized by the “hardcore” gaming community. As such, many great mobile games tend to go unnoticed and unappreciated by that particular contingent.
In the case of Simogo that’s an incredible shame. From the entertainingly inventive “Beat Sneak Bandit” to genre, and even medium, defying experiences like “Year Walk” and “Device 6,” Simogo is proving to be one of the most inventive and original studios in all of gaming. It’s a crime that they aren’t getting more attention.
Read the rest of this entry »
Posted in: Editorial
Tags: best games of 2013, game blogs, game news, game of the year awards, gaming, GOTY 2013, other game awards 2013, other games of 2013, overrated games of 2013, specific game awards 2013, specific rewards of 2013, underrated games of 2013, Video Game Blogs, worst games of 2013
Question Their Quality, But Never Deny The Work Behind Popular YouTube Gamers
I hate “The Big Bang Theory.” Understand that I don’t use hate often to describe something, but such is the case with that particular show. As an “out and proud” nerd such as it were, every time someone tells me that I must naturally love “The Big Bang Theory,” I tend to involuntarily cringe.
For the most part, I feel the way about many popular gaming YouTube personalities for largely the same reason. I find the quality of their content to be creatively cheap, and a bad image for the culture they have become the most vocal representatives of.
Of course please understand that isn’t meant as a blanket review of all gaming YouTube personalities. For instance, John Bain (better known by the handle TotalBiscuit), is one of my most trusted gaming critics. For the most part though, the popular path to YouTube gaming fame of yelling at games and making cheap jokes along the way (let’s call it the PewDiePie effect) just doesn’t appeal to me, and quite honestly I don’t think it is meant to.
It’s what has me somewhat conflicted about the recent YouTube content ID incident, which is threatening the livelihood, and in some cases very existence, of many of those YouTube personalities and their channels.
On one hand, I think that the literal implementation of archaic property and copyright laws that just don’t easily apply to video games is yet another in a shameful line of examples of the “world at large” not being sure exactly how to incorporate the medium properly into everyday life, business, and culture. I also do truly feel that these sanctions (many of which are completely bogus mind you) are just a taste of the world that is forming, in which the power and abilities of the individual is overshadowed almost entirely by that of the conglomerate, making it closer to impossible every day for that individual to shape their own fortune and make their own mark regardless of their current position in the world.
On the other hand, in terms of the content that we are potentially losing, I’m by and large unaffected. While there are some people hurt by this that I will miss, in the grand scheme of things from an entertainment perspective, I’m not ranking this occurrence with say the untimely cancellation of “Firefly.”
Maybe you share that opinion. Maybe you don’t. To be honest, I don’t really care. That’s not because I don’t respect your right to have an opinion on that particular subject, but rather because I feel that subject is very much worthy of debate, and of differing opinions.
However, if your stance on this topic is one of joy because you feel that the role of YouTube personality shouldn’t be considered a real job, and that these people have been just coasting along off of a broken system, then I’m here to call you out for being wrong. On that subject, I leave no room for debate.
What you have to understand is this. The people who are potentially most affected by these policies (and the ones still to come) are the people who work hardest at what they do. They are not the ones that throw on a webcam, get a cheap mic, record their game play, and hastily throw it online with some poorly chosen metal music as bookends and call it a day. They are people who have learned genuine skills and talents, and have put forth 70-80 hours a week for years of their lives to get where they are today, which is a position to do what they love for a living.
It’s true that many of them were using pre-existing content as the crux of their works, but since when was that a crime in and of itself? Many of those who are being harmed most by this had the proper permission to use the content they were featuring at the time they used it. To criticize them for doing so is not different that criticizing the “Mystery Science Theater” cast for just piggybacking off old movies, or to criticize “Siskel and Ebert” for just judging original works and making a living off of it. Hell, while you’re at it, you might as well damn every gaming website and blog who make their livings by reporting on the industry as opposed to solely creating original content.
Many people don’t do that, though. Why? What is the difference? Is it the YouTube format? Is that what makes people completely disregard the genuine hard work that went into these people getting to where they are at in life and instead dance on the grave of their dreams while its slowly being dug?
If so, that’s a real shame. Yes I admit the concept of a grown person essentially playing video games for a living doesn’t really qualify as the most practical, or certainly noble, of pursuits. However, it is what they love doing, and through a combination of ambition, luck, skill, ability, persistence, and most importantly hard work they found a way to use the very slim opening that YouTube afforded them, and turn it into a something they could not only live off of, but take pride in.
There was a time when that kind of ambition and recklessness was admired and rewarded. It wasn’t always rewarded with financial gain mind you, but spiritually it was the kind of action treated with respect and looked upon for inspiration to make more of yourself and to retain the belief that with the right combination of work and passion you too could make something better for yourself, and maybe even achieve your dreams.
And now that same effort is being mocked. Maybe by only a minute portion of the jaded and uninformed (or possibly just the usual trolls), but even then that is too many. The idea that you are not a master of your own fate, and rather a slave to some idea of how things may be is a mental poison that is corrupting this world a little more each day and can in no way be tolerated by anyone with a shred of hope and life left in them.
Call out these YouTube personalities all you want for the quality of their work. Critique them, question them, or just ignore them entirely if you choose. But never, ever, deny those that truly deserve it respect for the work they put in to get where they are and their willingness to aim for something greater regardless of whether or not it was through traditional means.
Do that, and you might as well deny all of those born without a silver spoon in their mouth the right to eat.
Posted in: Editorial
Tags: Angry Joe, gaming articles, gaming features, gaming opinions, John Bain, Nerd3, PewDiePie, Syndicate Project, TotalBiscuit, Video Game Articles, Video Game Blogs, Video Game Features, Video Game Opinions, Video Games, YouTube Content ID, YouTube copyrights, YouTube game footage, YouTube Let's Play, YouTube licensing, YouTube video games
The Top Ten Games of 2013
First, because there were too many games to cover here, here’s a supercut I put together of some of the best games of 2013.
I feel that everyone putting together a best of 2013 list that truly cares about gaming only does so after slamming a recently emptied bottle of whiskey down on their desk and sighing deeply.
2013 was one of the most packed years in gaming history. From every available outlet poured titles that are without comparison, even when weighed against the entirety of gaming history. Sure, there was the usual flood of crap and frustration, but it seemed that bi-weekly we were getting one of those games that you just had to play. Of course, that’s because we were.
Even if you don’t take into account the launch of two next-gen systems and all the other major industry occurrences and just focus on the quality of the games themselves, you’d be hard-pressed to name to many other years ahead of 2013.
A lot of hard decisions had to be made when putting together this list, but I feel that this is as comfortable with the honors as I’m ever going to be. Just note that if you don’t see your favorite game, it’s either because I didn’t play it, painfully had to cut it, or just didn’t like it. The curious can ask in the comments below.
Without further ado, here are the best games of 2013.
10. Assassin’s Creed IV: Black Flag
Let me get “Assassin’s Creed IV’s” biggest problem out of the way first. It’s still an “Assassin’s Creed” game. Therefore, it carries all of the faults of that series, including a far too simplified combat system, some seriously uneven mission quality and obligatory futuristic plot elements that are getting more and more superfluous.
But, sweet Jesus, this game is just pure fun. A lot of that fun derives from the perfect implementation of its pirate elements. “AC:IV” is the absolute greatest pirate game ever made. It gives you nearly everything you could ever want from the romanticized pirate experience many of us are familiar with, and does it with sheer glee. It certainly doesn’t hurt that this is also one of the best written and best acted games I’ve played in some time.
Were this game developed from the ground up as an entirely new series called “Black Flag,” it may be even higher on this list. As it is, though, there are few games more entertaining than “AC:IV” regardless of your feelings towards the series up until this point, or any specific video gaming turn-ons and peeves you may have.
The age of the true survival horror game seems to be coming to a close as a growing number of developers pussy out and implement more and more action elements into the genre in order to make it more appealing to a larger crowd.
That’s a true shame, as a game like “Outlast” shows the tremendous amount of life left in the traditional horror style. This is quite simply one of the most terrifying games ever released, and at no point does it give a damn if you are enjoying yourself while playing it or whether or not you feel safe. It’s an uncompromising realization of the potential gaming has in terms of conveying pure horror, and you’ll love every minute you hate playing it.
I’m so very thankful the new generation of YouTube players have spread the gossip of “Outlast” and all its terrible wonders and helped let the people know that for all the waves of shitty action games with occasional jump scares that dare label themselves horror, there are still some games that do it right.
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Posted in: Editorial, Gaming
Tags: Assassin's Creed IV, best games of 2013, best games of the year supercut, Bioshock: Infinite, game of the year 2013, game of the year 2013 supercut, game of the year awards 2013, Grand Theft Auto V, Gunpoint, Outlast, Papers Please, stanley parable, Super Mario 3D World, The best games of 2013, the best video games of 2013, The Last of Us, video game supercut
If They’re Not Careful, Telltale Games Runs The Risk of Overexerting Themselves
Ever since their acquisition of the “Sam and Max” license, Telltale has garnered a reputation as a studio that does things a little bit differently.
It was with that series that the studio kicked off their unique episodic format, where a series is released in monthly or bi-monthly installments over the course of a season. While the quality of their individual installments varied from great to “meh” with some regularity, for the most part the approach was viewed as a gimmick by many.
That was until the release of “The Walking Dead.”
With that series Telltale finally made it all click. The series of choices and consequences in those games made the episodic format actually matter, while the quality of the writing and direction made “The Walking Dead” the first series from the studio to maintain a standard of excellence throughout. The general consensus winner of the 2012 game of the year awards, “The Walking Dead” was a runaway success.
Much like the runaway success “Walking Dead” TV show, however, its increased attention also drew increased criticism. Many gamers lashed out against “The Walking Dead” games for not actually being games. Instead they saw them as a series of story sequences loosely strung together by the occasional dialogue choice or QTE section. As a result, “The Walking Dead” became one of the most cited titles in the growing debate of whether or not the term video game is still appropriate when describing the state of the medium today.
Regardless of where you stand on that particular issue though, the sales numbers don’t lie, and the numbers tell us that “The Walking Dead,” was a success. It was such a success, in fact, that it allowed TellTalle to not only continue “The Walking Dead” series, but begin entirely new series within the high profile worlds of “Fables,” “Borderlands,” and “Game of Thrones.”
And that’s what worries me.
See, I’m firmly in the crowd that loved “The Walking Dead.” While that’s mostly due to the quality of the game’s storytelling, I also attribute that to the fact that there wasn’t really anything like “The Walking Dead” series, even in the TellTalle canon. It was a breath of fresh air in the gaming world, and made the choice to buy “The Wolf Among Us” a no brainer.
By the end of the first episode of that game, though, it became pretty obvious that Telltale had no intentions of abandoning the gold mine of design they stumbled on during “The Walking Dead.” I don’t want to sound like I’m writing off “Wolf” as a re-skinned “Walking Dead,” but rather want to point out that if the appeal of “The Walking Dead” lied in it’s uniqueness and quality storytelling, the appeal of “Wolf” lies just in its storytelling.
That’s fine, but it does raise the question of whether or not TellTalle can justify releasing several high profile series in succession that all follow that “Walking Dead” style. After all, how many times can you hope to catch lightning in a bottle?
Now it’s not like I think Telltale should look at the success of “The Walking Dead” and say “Well, we made a good game so its time to shut down production,” but they already have both “The Walking Dead Season 2” and “The Wolf Among Us” releasing concurrently and now apparently have “Game of Thrones” and “Borderlands” titles in the works as well.
There’s no studio in the world that can possibly handle that amount of production and maintain a consistent level of quality, especially if the games they are making all follow the same basic template. We’ve seen before what happens to studios who feel the obligation to make annual releases of the same series and, with few exceptions, the results are not pretty.
In the case of Telltale, however, it’s even more tragic. Here’s a studio that made their namesake by releasing a game that shook the foundations of gaming and had some questioning the validity of the classification gaming itself. Going from that, to just continuing to do that but in new worlds reminds me of the executives from “South Park” who surmised that if saying shit in a TV show was popular and revolutionary, then saying shit even more and in different episodes is sure to be just as popular and revolutionary.
I believe that TellTalle is a great developer, and will never intentionally start banging out games routinely in the “Call of Duty” style. However, whether it is their intention or not, unless they start exploring a style beyond that of “The Walking Dead,” or at the very least limit their releases to a series at a time, they run the risk of overexerting themselves and learning a lesson that entertainers everywhere have learned the hard way for years.
After a while, the same act starts to get old.
Posted in: Editorial
Tags: gaming, gaming blogs, gaming news, Telltale, Telltale Borderlands, Telltale Game of Thrones, telltale games, Telltale VGX, The Walking Dead, The Wolf Among Us, Too many Telltale games, Video Games
What Role Will the Survival Concept Have In Gaming’s Future?
Gaming, like so many other things, is not immune to trends.
With some regularity entire styles, genres, and concepts go in and out of fashion. Sure certain aspects of gaming remain consistently popular, and others remain consistently despised, but for the most part you really have to keep a finger on the pulse of gaming in order to hope to keep up with which way the winds of change are blowing.
Do that, and you’ve probably noticed that survival games have been growing in popularity over the years, and have become especially prolific throughout 2013.
Nowhere is this more true than the indie market, where it seems like every week brings with it the reveal of yet another title that cites sneaking, scrounging, and surviving as its main attractions. Sure there’s been a number of AAA games to use survival elements (“The Last of Us” is a great example), but if you’re looking for the heart of the survival movement, it’s into the indies you must go.
Now unlike some other trends in various walks of life, the emergence of the survival genre on the indie scene is one that’s fairly easy to understand and trace.
Simply put, survival games represent a marked departure from nearly everything that the majority of AAA games represent. They do not hold your hand, they allow for (and require) a healthy amount of creative freedom, and most importantly they present a very real chance of failure without glory. In a way they are becoming the James Dean of indie gaming. An icon that so perfectly represents the antithesis of the current cultural climate, that those with similar spiritual beliefs cannot help but be drawn to their magnetism.
Unlike James Dean, however, whose global impact only required a few films, survival as a stand alone concept has yet to really produce a champion to the masses that so perfectly represents everything it stands for that its presence can no longer be ignored.
Now I want to make myself clear on that point. Survival has been a part of some of the greatest games of all time, but only a part of it. For instance, “Resident Evil” was survival/horror. “Minecraft” was survival/crafting. “Fallout 3” was an FPS RPG with survival elements. Hell, while we’re on the subject, just about every video game incorporates at least some elements of survival.
The survival genre by itself, however, is still so young that it’s not even a recognized genre on Steam of all places. You can look and look, but you’ll have a hard time finding any games which classify themselves as strictly a survival game, and there’s a very good reason for that.
Without beating around the bush, survival games on their lonesome just don’t work at the moment. It’s a realization I came to when playing “Day One: Gary’s Incident” and “Sir, You are Being Hunted.” One of those games (“Day One”) is a complete abomination of game design that shows how developing a survival game is not recommended for those who intend to go in with anything but their full ass. I’ll refer you to the infamous Total Biscuit review of it for proof.
“Sir, You Are Being Hunted,” however, is a much more interesting case all around. It’s writing is crisp, it’s world and tone are simply brilliant, and the care put into ensuring its survival aspects are clever and well implemented is quite simply second to none. Yet even then, it’s a game that is hindered simply by the fact that survival (and survival alone) is not really a compelling incentive for long term play. It’s a sort of perpetual motion predicament. You’re encouraged to survive, just so you can continue surviving.
In so many respects though, “Sir” is the epitome of the survival genre as a standalone concept so far. While that isn’t to suggest that a better game can’t come along, the end result of it still being an overall unsatisfactory experience does place some serious doubts on the legitimacy of a survival only genre, despite the growing number of entrants to it on the horizon.
However, I still do believe that the next great trend in gaming is survival.
You see, ultimately it does not matter if a standalone survival experience comes along and stands as its grand champion, as the sheer amount of games that are beginning to incorporate survival elements into their design are already a victory for the concept. Every time a new rougelike comes out, survival gaming is victorious. With every game of the year award “The Last of Us” garners, survival gaming is victorious. With every bit of hype “The Division” generates, survival gaming garners some hype.
As mentioned, this is good for gaming if for no other reason than the fact survival games are radically different from so many other major releases today. Their presence then is beneficial for the simple reason that they offer an alternative to some gaming conventions that are quickly wearing out their welcome.
The reason I think that survival will ultimately prove to be more popular than that, though, is because developers have done such a great job in the later parts of this generation when it comes to introducing survival naturally into more and more games. It’s to the point now where if a game doesn’t have aspects of survival, it feels somewhat hollow. While you could make the argument that survival would more quickly become a necessity if a game came along that used it in a way that “Modern Warfare” made the incorporation of RPG character building elements standard in most games, the survival revolution has already gathered enough steam to plow straight ahead into the next generation.
Gaming is very much subject to trends and fads, and all indications point to survival as the next one. That may sound like a bad thing considering the negative connotations of those words, but in this case it is very interesting, as the incorporation of survival has the potential to alter the current creative direction of gaming on a very serious fundamental level.
Whether or not you actively seek out survival games may soon be irrelevant, as survival games will soon be finding their way to you.
Posted in: Editorial
Tags: best survival games, best survival video games, Day One Gary's Incident, Don't Starve, gaming, gaming news, Sir You Are Being Hunted, survival, survival games, survival gaming genre, survival genre, the future of survival games, Video Game Blogs
The Top Five Fixes and Features That Need to Be in Fallout 4
In what is quickly becoming the internet’s worst kept secret, it appears that famed developer Bethesda is gearing up to announce the highly anticipated “Fallout 4.” As one of the general public’s most beloved games of the previous generation (feels weird saying that…), the hype train for “Fallout 4” is beginning to resemble a locomotive in India, as fans across the world eagerly await any news regarding it.
While developer Bethesda is usually so generous with their game content it can feel greedy to make requests, that doesn’t mean that there aren’t a few items on every fan’s wishlist for “Fallout 4,” as well as a few generally accepted flaws in “Fallout 3” that could use a fix. Personally, I know I can think of five things, I’d really like to see in “Fallout 4.”
The Ability to Play In A World Affected By the Ending
I’d have to say my biggest disappointment with “Fallout 3” was that the game just kind of ended. There was the usual climatic final mission, but then you just got a cinema explaining the consequences of your decisions in the final moments. At that point if you wanted to keep exploring the world, you could only load up a save before the final mission and do it from there, with the finale being forever left on your to-do list.
It was a baffling decision that felt like one of the few genuine design flaws in the game. How could a game with so much to see and do just end? While the expansions and New Vegas fixed this particular problem, I expect that Bethesda will learn their lesson from “Fallout 3” and allow us to not only continue to explore the world after the credits role, but hopefully alter it in some noticeable way based upon the ending.
Incoporate Greater Grey Area Options
While “Fallout 3′s” karma system was one of the more involved of all the games that afford you character building moral choices, it’s hard to deny that if you really wanted the world to reflect your personal choices, the only real paths available were to be a paragon of virtue or the most evil bastard that ever lived.
That’s always been troublesome to me considering that morality in the “Fallout” universe is ambiguous to say the least. Forcing players to ultimately choose between comically good and evil just to get the game to react never really felt in-line with the rest of the world. It would be great if the karma system better incorporated the choice to live somewhere in the middle (neither entirely good or evil) and if the world reacted to you in this manner just as they would if you lived on either polar side of the morality scale. After all, as Bruce Campbell quipped, “Good…bad….I’m the guy with the gun.”
An Expanded, Region Specific Soundtrack
As much as I loved Three Dog and the game’s unique (and often disturbing) selection of 40′s and 50′s music, after a while I’d often turn off the radio as the DJ banter and songs didn’t take long to repeat. While this is expected in a game of this length, it was nonetheless annoying.
An expanded song selection would certainly go a long way to fixing this in “Fallout 4,” but what would really be great is if more individual regions of the map had there own radio stations. After all, it’s not hard to imagine a number of small range pirate stations would pop up here and there, and having certain songs only available in certain areas through those stations would go a long way to cutting down on the music monotony.
Longer Emphasis on Survival
When you first enter the world of the Capital Wastelands, you feel appropriately small and helpless. Nearly everything could kill you instantly and, since the game allowed you to go anywhere at any time, getting in over your head was easy. In those early moments it was vital to scrounge for any and all available resources, even if it meant near certain death to do so.
As the game went on, however, it didn’t take long before you were so stocked with equipment you would often pass up valuable items simply because you couldn’t carry them. Within only a few hours of play you go from fist pumping because you found a clean bottle of water, to better stocked than the local Wal-Mart. While this kind of character building is expected in RPG’s, it would be nice if a better balance was placed on resources availability so that the incredible survival aspects of the game don’t just disappear after the first few hours.
It’s understandable that your character will become more powerful and adapt overtime, but you should never feel as complacent in your available resources as you did in the later parts of “Fallout 3.”
More Imaginative Weapon Crafting
One of the things I liked about “New Vegas” is how developer Obsidian wasn’t afraid to take some chances with the design, since they knew the established “Fallout 3″ formula was strong enough to hold the weight of the occasional tweak and innovation. Among those tweaks was an expanded ability to better your items and weapons through the occasional pick up and crafting. It worked because it makes sense that in an apocalyptic world you would become somewhat adept at making do with what you have, and making what you have better based on what you find.
It was a step in the right direction, but it could go much further in a sequel. There’s tons of seemingly useless items floating around the “Fallout” universe, and it’d be great if you could find uses for them through a more involved crafting system. “Fallout 3” did have the occasional blueprint that allowed you to do this, but it felt too clean and simple. Allowing players a crafting screen to play around with that isn’t necessarily dependent on strict recipes would go a long way to expanding our involvement in the world, and our desire to explore it.
Posted in: Editorial
Tags: fallout, fallout 3, fallout 4, Fallout 4 improvements, Fallout 4 wishlist, gaming, gaming blogs, gaming news, New Features for Fallout 4, things that need to be in Fallout 4, Video Games